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How it works

How Attune compares your mix to reference tracks

Upload a bounce, choose references, and Attune measures the differences across punch, movement, tone, clarity, space, and mastering. This page shows what happens at each step.

Runs in your browser · your audio never leaves your device · no install

01STEP 1 OF 4

Decode

Drag in a WAV or MP3 — decoded to raw audio in the browser. The file never leaves your device.

02STEP 2 OF 4

Measure

A WebAssembly engine extracts 50+ acoustic metrics, separates 4 stems, and detects tempo and sections.

INTRODROPBREAK128 BPM · F♯m
.55
CREST
.70
FLUX
.45
SUB
.62
BASS
.78
PRES
.50
AIR
.66
WIDE
03STEP 3 OF 4

Compare

Each metric is placed on the statistical distribution of your chosen collection of pro references.

LibraryUpload850+
Polarity Astrix92%
The Tribe Vini Vici88%
Distant Galaxy Symbolic84%
04STEP 4 OF 4

Score

Gaps become a six-axis score and plain-language findings — each with a production move to try.

Overall+1.4σ
72
Mud Amount

Lows controlled, or building up?

Under the hood

It listens on fifty-plus dimensions at once.

Nothing here is simplified for the page — these are the real measurements Attune extracts from every bounce, grouped by what they listen for.

Loudness & dynamics

  • LUFS
  • True-peak dBTP
  • PLR
  • RMS range
  • Crest / dynamic range
  • Hard-clip run %

Spectral balance

  • Sub 20–60
  • Bass 60–200
  • Low-mid 200–500
  • Mid 0.5–2k
  • Upper-mid 2–6k
  • Air 6–20k
  • Centroid
  • Spectral tilt dB/oct

Transients

  • Attack weight
  • Shape ms
  • Decay ms
  • Hit-to-mix dynamics
  • Per-event detection

Groove & movement

  • Sidechain depth dB
  • Bass modulation
  • Tail decay 200ms
  • HF modulation
  • HF silence %

Stereo field

  • Width
  • Width tilt by band
  • Mono-collapse penalty
  • Bass mono-safety
  • Sub/bass correlation

Masking & clarity

  • Low-mid masking
  • Mud / presence ratio
  • Band contrast lo/hi
  • Presence focus
  • Mid contrast
50+ raw metrics25 scorecards6 perceptual groups
Punch
Do hits land?
DynamicsAttackShapeDecay
4 scorecards
Movement
Does energy flow?
PumpingTail Control
2 scorecards
Tone
What does the spectrum feel like?
BrightnessLow-End BalanceTop-End MotionSubBassLow-MidsMidUpper-MidsAir
9 scorecards
Clarity
How cleanly are elements separated?
Low-End ClarityLow-Mid ControlMid ClarityPresence Clarity
4 scorecards
Space
How does the stereo image hold up?
WidthWidth DistributionMono Translation
3 scorecards
Mastering
How loud, dynamic, and clean is the final processing?
HeadroomPeak CleanlinessLoudness
3 scorecards
Scope it

Score the whole track — or just the drop.

A quiet intro and a long outro drag whole-track averages toward mush. So you choose the region: analyze the full mix, or drag a selection around any moment — the drop, a breakdown — and Attune scores only that. Crucially, your selection is compared against the matching section of every reference, not their whole tracks.

your_bounce.wav · 6:14selection · 1:48–2:42 · "the drop"
intro / build▲ analyzing thisbreakdown · outro
Full mixLive

Every reference is profiled end-to-end. Compare your whole bounce against whole pro tracks.

DropLive

Every reference also carries a drop profile — so your drop is judged against their drops, like-for-like.

More sectionsComing soon

Breakdown, chorus and intro profiles are being added to the reference corpus as it grows.

Why the number means something

It's a position, not an opinion.

Attune never decides what "good" sounds like. It measures your value, then shows where it sits in the spread of real pro releases in the collection you picked.

Low-Mid Control · drop sectionn = 142 references
collection medianyours · +1.4σ
more mudcleaner
measure

Your value, in physical units. Low-mid energy and how dynamically it moves — measured on your drop, not a whole-track average.

place

Dropped onto the distribution. Where does it fall among the 142 references in this collection? The dashed line is their median.

score

Distance becomes the axis score. +1.4σ from the median → a “watch” finding. The wider the gap, the louder the finding.

Different isn't wrong. The score tells you where you sit versus the genre — it never tells you to conform. A big gap is a flag to listen, and decide whether it's a choice or a problem.

The reference map

Every reference, mapped in thirty dimensions.

Beneath the six axes, each section is a 30-dimensional acoustic fingerprint — spectral bands, per-band stereo width, groove, dynamics, tempo. Attune projects the whole library into a 2-D map; your mix drops in as a single point. The nearest dots are your nearest references — that's how the matches are found.

PCAUMAPManual axes·Colour: Genre
MY MIX
850+ reference sections · projected from 30-D3 closest references highlighted

Live in the reference library today — pan, zoom, recolour by genre, BPM or any single dimension, and pull up "more like this" from any point.

Rather see it than read it?

Open a finished analysis on a sample track — no upload, no signup. Walk the whole flow in your browser.

See a sample analysis
Then you dig in

From the number to the move.

The score is the start. Two surfaces turn a flagged gap into something you can actually fix.

Open any finding

Each axis unfolds into the real measurement behind it — your trace over the reference's — plus the specific production move: sidechain EQ at 200–400 Hz, ease the bus comp, narrow the air band. Not "add clarity."

Low-Mid Control · −6 vs ref
Low-mids stack around 250 Hz. → Sidechain dynamic EQ at 200–400 Hz to the kick.

A/B on a level field

Stream a reference next to your mix with loudness auto-matched and any stem or frequency band soloed — all on-device. So what you hear is the mix, not the master.

YOURS ⇄ Polarity — Astrix
LUFS −14.0 matched · stems: drums bass vocals other
Fair fights only

What's matched — and what isn't.

So a comparison is honest, here's exactly what Attune aligns before you A/B — and what it deliberately leaves alone.

LoudnessBoth sources normalised to −14 LUFS so volume can't bias your ears.Auto-matched
StemsDrums / bass / vocals / other, separated locally for solo & mute.On-device
TempoA toggle will time-stretch the reference to your BPM for a beat-locked A/B.Coming soon
KeyBoth keys shown so you're aware; optional pitch-match is on the roadmap.Coming soon

Not ready to upload? Stay in the loop.

New collections, features, and mix-down tips — about once a month. No spam.

Built for the browser

The DSP pipeline runs locally in WebAssembly — your audio file stays in your browser. The reference library lives server-side as pre-computed metric distributions; only the analysis numbers travel up — to find your collection, and to keep those distributions current.

Try it on your latest bounce.

The score names the question. Your ears learn the answer.